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In the present paper the author examines the issue of translating proper names in a literary work. Assuming that the creative act is inherently intentional, he proceeds with pondering on the complexity of the process of naming elements Assuming that the creative act is inherently intentional, he proceeds with pondering on the complexity of the process of naming elements of the fictional universe.

Since a text is always deeply rooted in the cultural context of its origin, there are numerous potential connotations encapsulated in a proper name. A translator is eventually forced to choose its primary meaning, leaving out these less significant ones — this process relies, apart from the limitations of the target linguistic and cultural systems, on their individual decisions.

Bearing in mind these fundamental premises, the author analyzes three examples of proper names from the Harry Potter saga. In the article the author attempts to deduce what In the article the author attempts to deduce what might have caused the translators to choose one of the two strategies by means of analysing chosen examples from the saga. Apparently, the translators' decisions stem not only from the limitations of respective languages and cultures, but also from their individual approach towards the original text.

The cognitive-pragmatic subparadigm of modern linguistics. The specificity of the cognitive-pragmatic subparadigm of the linguistics of the 21 st century boils down to fusing the postulates of functional-communicative linguistics with the theory of human verbal-cognitive activity that in fact The specificity of the cognitive-pragmatic subparadigm of the linguistics of the 21 st century boils down to fusing the postulates of functional-communicative linguistics with the theory of human verbal-cognitive activity that in fact presumes taking into consideration of all extralinguistic and linguistic components of discursive text generation.

According to its methodological postulates, linguistic analysis focuses not only on the system of language, but also on human discursive activity. Harry Potter: A History of Magic reveals some of the hidden stories behind real-world magic and explores some of J.

Rowling's magical inventions alongside their folkloric, cultural and historical forebears. Narrator Natalie Dormer and a host of experts will take you on an audio journey like no other; from ancient China, to a 14th-century apothecary's shop, on to the Salem witch trials and beyond. I knew I wanted to do it up, to make a really cool replica compared to the movie props, so I searched high and low to find the best projects, and I compiled them into a single place here.

This post will link the places I've used for inspiration, and then how we made changes or revisions to make it our own. First things first, the actual Harry Potter Hogwarts letter. I used the original words from the book as my guideline but edited it to include the Orlando locale and the dates of our trip. I've got two versions of the letter for you to choose from; the white background is great if you have a parchment-style paper to print on, and a tea-stained paper version , which can be printed on plain white paper and still have the look.

Both files will open Google Drive in a new tab. The blue box shown above doesn't print, but you can easily edit that text to make the letter say just what you want.

I have to confess, this one had some challenges. I ended up printing the address and Hogwarts seal and then using my Silhouette digital cutter to cut it out. The steps here are a little more complicated, but hopefully, this will take you through them easily.

There are two versions of the Harry Potter envelope template you can choose from: White background for parchment-style paper , or with the preset tea-stained look to print on white paper.

These links will open Google Drive in a new tab. I stumbled upon this blog post and loved his attention to detail. He's even the one who designed the Privet Drive font! We were really inspired by his Harry Potter wax seal tutorial, so read there for all the details, but we made some changes. Want to see more of what went into the treasure box? There were a load of goodies in there, including Dementor Attack chocolate bars , a Harry Potter spell book , and assorted Harry Potter candy.

The Hogwarts letter on white has a different file name from the parchment one but they are both the same pdf. Hi Mary! Thanks so much for the heads up! Thank you so much! Klasse - Heinz Vogel pdf. Download Nach Amerika! Diagnose und Akutfall. Therapie und Rehabilitation - Hans Chr Diener pdf. Download Steuerstrafrecht - Wolfgang J.

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Additionally, theoretical and practical ramifications of taking nonverbal signals into consideration for the psychology and quality of work of simultaneous interpreters are pinpointed.

The specificity of literary proper names: Harry Potter in translation into Polish and Russian more. In the paper the author investigates the specificity of literary proper names and its implications on their translation. He focuses on the discursive process of projecting the descriptions of the elements of the literary setting onto He focuses on the discursive process of projecting the descriptions of the elements of the literary setting onto their respective names.

The main postulate is that literary proper names, apart from triggering various linguistic and extralinguistic connotations, primarily form a complex image of their signifieds in the minds of the readers in cooperation with the literary text itself.

Accordingly, in the face of this cognitive potential that literary proper names have, the translator is forced to retain only its key aspects. This process of decision-making is grounded in knowledge, perception and the view of the world of each individual. The aforementioned assumptions are verified by means of comparing the way in which proper names and descriptions of their bearers function in the original text of the Harry Potter series with its Polish and Russian translations.

Ultimately, the analysis leads to a conclusion that the process of translating literary proper names boils down not only to linguistic and cultural differences, but also to the personality of the translator and his or her conscious decisions. Their tragism boils down to paranoic features of the superconscious states that tormented Raskolnikov in the course of action of the novel, being partial, destructive, as well as contradictory.



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